Pedro Páramo body semiotics glance silence. Our analysis concludes that corporeal imaginaries in Pedro Páramo must be read and interpreted within the frame of a hyper isotopy of death as cardinal semiotic structurant of the text. 'Desconcertante, lista a inquietar a la crítica, está ya en los escaparates la primera novela de Juan Rulfo, Pedro Páramo, que transcurre en una serie de transposiciones oníricas, ahondando más allá de la muerte de sus personajes, que uno no sabe en qué momento son sueño, vida, fábula, verdad, pero a los que se les oye la voz al través de la per. After a brief definition of some operational concepts that will enable our analysis, we propose an interpretative hypothesis, according to which the novel is structured over corporal imaginaries, a fact that will allow us to elaborate a model of a semiotic glance, of silence and time, which are articulated to an erotic and sexual corporeity. With comments and notes that place Rulfos words in his time and literary medium, this book will allow readers of the author of El Llano en llamas, Pedro Pramo. The purpose of this investigation is to establish the corporeal imaginaries that are at the roots of the Juan Rulfo’s short novel Pedro Páramo (1955), a text about which many analyses have been done with the aim of establishing his death vision. Imaginaries of corporeality: body, silences and times in Pedro Páramo, by Juan Rulfo.
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